Search by Name

Search by Name

JOHN WILMERDING Obituary

WILMERDING--John. John Wilmerding, prolific author, esteemed professor, avid collector, generous philanthropist, and luminary in the history of American Art passed away on June 6th, at 86 years of age. Educated at Saint Paul's School in Concord, New Hampshire, and at Harvard University, where he received his Bachelor's degree in 1960, his Master's degree in 1961, and his PhD in 1965 in American Art. Upon graduation, Professor Wilmerding taught at Dartmouth College until 1977, and then at Princeton University for 25 years as the Christopher Binyon Sarofim Professor of Art History. He had previously served as Senior Curator of American Art from 1977 until 1983 at the National Gallery of Art in Washington, DC. From 1983 until 1988, he served as the Museum's Deputy Director under J. Carter Brown. As a student, John Wilmerding had begun to collect American Art while still an undergraduate at Harvard, and by 2004, he had assembled a world-class collection of 51 paintings and drawings by American Masters such as Fitz Henry Lane, George Caleb Bingham, Winslow Homer and Thomas Eakins among others. In May of 2004, at the National Gallery of Arts opening of the exhibition, "American Masters From Bingham to Eakins: The John Wilmerding Collection", Professor Wilmerding announced that the collection would remain in perpetuity at the National Gallery, a significant gift to the nation. In 2016, Alice Walton, and the Walton Family Foundation granted $10,000,000 to the National Gallery of Art to establish the John Wilmerding Fund for Education in honor of Professor Wilmerding's contribution to the National Gallery and to art history. In Ms. Walton's words, "John has inspired generations of museum visitors to appreciate American art, and his contributions to the field are immeasurable and enduring. He was an insightful teacher, a trusted adviser, and simply a dear friend who helped me explore American art more broadly and create a new museum. John's impact in establishing Crystal Bridges was enormous, and I cherish our time working together." Prof. Wilmerding's numerous books and articles helped define the nature of American art, a field that had been long neglected by scholars and collectors. In addition to his long teaching career, Professor Wilmerding served as a board member at many museums, some of which honored him by naming directorships and fellowships in his name. Among those institutions is the Shelburne Museum in Shelburne, Vermont, which established the John Wilmerding Directorship Fund, the Museum's first named position. A grandson of the Museum's founder, Electra Havemeyer Webb, Professor Wilmerding served as President of the Board of Trustees, and Honorary Chair of the Campaign for Shelburne Museum. Additional posts at universities and museums were; Emeritus Professor of American Art at Princeton University; Member of the Committee for the Preservation of the White House; Chair of the Board of Trustees of the National Gallery of Art; Trustee of the Guggenheim Museum; Commissioner of The National Portrait Gallery; Visiting Curator in the Department of American Art at the Metropolitan Museum; Senior Curator of American Art at the National Gallery; Member of the Board of the Wyeth Foundation for American Art; Board Member at the Smithsonian Museum and Monticello, and a trustee of the College of The Atlantic in Bar Harbor, Maine. Having given his collection of American art to the National Gallery in 2004, Professor Wilmerding started to collect Pop Art, an interest of his since his Dartmouth days. This collection has been bequeathed to Princeton University. Professor Wilmerding is survived by his sister, Lila Wilmerding Kirkland, her husband, David Kirkland, a brother, James Watson Webb Wilmerding and Marsha M. Wilmerding, three nieces and three nephews. Professor Wilmerding had homes in Northeast Harbor, Maine, and New York City. John Wilmerding was an inveterate and tireless hunter of antiques, a man of letters with great intellectual curiosity and a dry sense of humor, and a loyal friend with a capacity for joy and generosity. All who knew him regret his passing. Contributions in his memory can be made to Crystal Bridges Museum.

To plant trees in memory, please visit the Sympathy Store.

Published by New York Times on Jun. 9, 2024.

Memories and Condolences
for JOHN WILMERDING

Not sure what to say?





6 Entries

Jeff Hinman

July 12, 2024

I was fortunate enough to have been a student in John’s first art history course at Dartmouth, Art 50, American Art. We did not realize that he
was a pioneer in teaching American art at Dartmouth and beyond.
He is responsible for my travels over the years to visit museums to see
the paintings and artwork that he had presented to us in class.
He once gave a talk at the Munson Williams Proctor Institute in Utica, NY
years ago, and we were able to talk awhile. He was genuinely glad to be
reacquainted with a former student from his from his earliest days of teaching.
He was a wonderful and enthusiastic professor. He will be missed.

Jeff H., Enfield, NH

Todd Baker

June 11, 2024

John Wilmerding was a mentor to me at Dartmouth, an inspiration and a funny guy. He did more to bring the glories of 19th Century and early 20th Century American art into the public consciousness than anyone else, through his books and his work at Dartmouth, Princeton, the National Gallery, the Shelburne and Crystal Bridges. If you´ve never seen the works from his personal collection, now in a room at the National Gallery, you should make a point to find them. I last talked to him about a great Childe Hassam Isle of Shoals landscapes show in Salem 7 years or so ago. He was as enthuiastic as ever and his Brahmin accent was in full force. I will miss him.

Kathleen A. Foster

June 10, 2024

I was a graduate student at Yale when John Wilmerding spent a semester as a visiting professor from Dartmouth, clad in plaid lumberjack shirt and Redwing boots. He taught a survey on American art, and I well remember him restlessly pacing back and forth at the front of the class, delivering a torrent of commentary that summarized the narrative of American art and the canon that we all celebrated as the young field came into its own in the 1970s. His scholarship on Fitz Henry Lane, marine painting, the still life painting of Harnett and Peto, the portraits of Eakins, and the phenomenon we all called "Luminism" contributed to the late-twentieth-century rise of American art history. I was furious at him for fixing Alice Walton´s sight on The Gross Clinic, but I forgave him because I understood he only wanted the best for the National Gallery (where he served for many years in many capacities) and Alice´s admirable new Crystal Bridges Museum. We became friends and colleagues on the board of the Wyeth Foundation for American Art, where his wisdom and good-natured chuckle will be much missed. If you´d like to spend an hour listening to John tell stories about his formation as a collector in the orbit of his grandmother, Electra Webb, his experience at Harvard and the National Gallery (and the notorious exhibition of Wyeth´s Helga paintings), tune in to Wyeth Conversations: John Wilmerding (youtube.com), recorded last year by Will Coleman for the Wyeth Study Center at the Brandywine River Museum of Art

Martha J. Fleischman

June 10, 2024

A fine scholar who expressed many original ideas throughout his career, including original studies of American Luminist landscapes, the work of Andrew Wyeth and Winslow Homer, and the idiosyncratic still life paintings of John F. Peto. John ably served on our board of The American Art Journal for many years and, in 1998, was the very first recipient of the Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History, bestowed by The Archives of American Art, Smithsonian Institution. He made an enormous contribution to the field of American art history and prudently advised many collectors and museums, sharing his knowledge and offering wise council. He was an unusual and sensitive gentleman and will always be missed.

Joyce Hill Stoner

June 9, 2024

John Wilmerding truly embodied what is meant by a gentleman and scholar. I knew his scholarly publications for many years, but in 1999, when I joined the board of the Wyeth Foundation I saw him twice a year for meetings, lunches, and dinners for the next 25 years. I loved to sit next to him and hear about his new and often surprising book projects, such as the unexpected places artists might choose to place their signatures or artworks that showed subjects wearing spectacles. [It was a great triumph if I could come up with an example, from my world of art conservation, of an instance he did not already know about, such as Benjamin Franklin's spectacles in a Red Grooms sculpture.] We shall deeply miss his presence and his thoughtful comments at our upcoming meetings. Joyce Hill Stoner

Bartle Bull

June 9, 2024

As one of John Wilmerding's longest -serving close friends, I am struck by how deeply he is missed by many, including by myself. In the spring of 1957, John invited me to be his roommate for our next three years as Harvard undergraduates.. We continued as roommates during graduate school as we pursued our different interetss. Neither of us was very athletic, and we enjoyed different intellectual interests, both at college and thereafter. But we shared a delight in stimulating and witty conversation. He was the first of my friends to find an avocation at a serious high level. I remember when he bought his first distinguished piece of art, a marine painting by Fitz Hugh Lane, which he especially treasured for its use of light on sea and air. He always admired his grandmother, the great collector Electra Havemayer Webb, for her early dedication to American art. He extended that interest as a student, a collector and as a distinguished professor and curator. In both his writings and his conversation, John had a rare gift of using words to describe and explicate the deeper qualities and artistic role of any work he was discussing. John Wilmerding's qualities and character will live on through his teachings, his writings and his generous gifts to ur nation.

Showing 1 - 6 of 6 results

Make a Donation
in JOHN WILMERDING's name

Memorial Events
for JOHN WILMERDING

To offer your sympathy during this difficult time, you can now have memorial trees planted in a National Forest in memory of your loved one.

How to support JOHN's loved ones
Honor a beloved veteran with a special tribute of ‘Taps’ at the National WWI Memorial in Washington, D.C.

The nightly ceremony in Washington, D.C. will be dedicated in honor of your loved one on the day of your choosing.

Read more
Attending a Funeral: What to Know

You have funeral questions, we have answers.

Read more
Should I Send Sympathy Flowers?

What kind of arrangement is appropriate, where should you send it, and when should you send an alternative?

Read more
What Should I Write in a Sympathy Card?

We'll help you find the right words to comfort your family member or loved one during this difficult time.

Read more
Resources to help you cope with loss
How to Cope With Grief

Information and advice to help you cope with the death of someone important to you.

Read more
Estate Settlement Guide

If you’re in charge of handling the affairs for a recently deceased loved one, this guide offers a helpful checklist.

Read more
How to Write an Obituary

Need help writing an obituary? Here's a step-by-step guide...

Read more
Obituaries, grief & privacy: Legacy’s news editor on NPR podcast

Legacy's Linnea Crowther discusses how families talk about causes of death in the obituaries they write.

Read more
Ways to honor JOHN WILMERDING's life and legacy
Obituary Examples

You may find these well-written obituary examples helpful as you write about your own family.

Read more
How to Write an Obituary

Need help writing an obituary? Here's a step-by-step guide...

Read more
Obituary Templates – Customizable Examples and Samples

These free blank templates make writing an obituary faster and easier.

Read more
How Do I Write a Eulogy?

Some basic help and starters when you have to write a tribute to someone you love.

Read more