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Builder Levy
April 5, 2021
Alice and I were very saddened to hear of Naomi’s passing.
After reading the New York Times obituary, I began reflecting on the many years of friendship Alice and I shared with Naomi and Walter, both of whom played such an important role in shaping the direction and focus of my life as an artist photographer.
I met Naomi fifty-nine years ago, when her husband Walter Rosenblum, who was my photography teacher at Brooklyn College in 1962, arranged for his class to visit his home.
A few years later, in July, 1965, when Walter hired me, then an unemployed graduate student at NYU, to help him paint the family’s apartment in Astoria, Naomi invited me to come early each morning, before Walter and I began work, so that I could have breakfast with them. Nina and Lisa, their teenaged daughters were away for the summer. I felt I was being treated like a member of the family.
In early January 1973, Nina called me, and said Milton Brown wanted to know if I would be interested and able to live with Paul Strand in his East 5th Street apartment. Paul was coming in to New York from Orgeval, France, for the opening of his retrospective at the Metropolitan Museum of Art. Hazel had to remain in Paris for a few extra days for some hospital tests. Although I had taken art history classes with Professor Brown, I believe that if Naomi and Walter had not previously recommended me to him, I would not have been asked to stay with Strand. Alice and I ended up living with Paul for ten days, and remained friends with Paul and Hazel thereafter.
After Paul Strand died in 1976, I decided to make a portfolio, "Life of the Appalachian Coal Miner," printed in Stonetone by Sydney Rapoport, the printer that had printed Paul’s recent books. I asked Naomi and Walter to help me select the photographs for the Portfolio. And I asked Walter to write about them for the Portfolio. During vacations and holidays from my teaching, I had made numerous photographic trips to Appalachia, beginning in 1968. I wanted to make a book. Naomi suggested I return to make more photographs in Appalachia. I made four more trips: one in 1976, one in 1978, and two in 1982, before making the book, "Images of Appalachian Coalfields," in 1989, with a Foreword by Cornell Capa.
In 2004–2005, I asked Naomi to write an introduction for my second book, ""Builder Levy Photographer." Her beautiful essay "Engaged in Life; Engaged in Art,” explained, with clarity and insight, my approach to making photographs, and their place in the history of photography. She also helped me finalize the sequencing of the photographs, before I gave them to my designer.
With the help of several grants, including the Guggenheim, I returned to coalfield Appalachia, making numerous trips to photographically explore and interpret the new developments and realities in the new millenium. Naomi provided her invaluable help in directing me in the organizing and sequencing of the photographs for my third book, "Appalachia USA," 2014.
In the recent Aperture zoom Tribute to Naomi Rosenblum, I was inspired by hearing Deborah Willis, a MacArthur Fellow, who wrote the Foreword for my fourth book, "Humanity in the Streets, New York City, 1960s-1980s," talk about how Naomi had been her mentor. Nina’s short, beautiful biographical film left me wanting to see and hear more about Naomi.
When I called and spoke with Naomi a little more than a year ago, I told her I was so very glad to be able to talk to her, because we hadn’t spoken for a while. And she replied, she was very glad too.
Although I can no longer call and talk to Naomi or Walter, I will always remember Naomi and Walter with great appreciation and love.
Please accept Alice and my sincere condolences for your your great loss.
Simone Taylor
March 4, 2021
As the days and weeks pass, and as you return to life's routine, may you continue to feel comforted by the love and support of family and friends. Please except my warmest condolences.
Dr. Hans Gummersbach
March 4, 2021
Thanks very much for great research work and so helpful publications!
A great photohistorian!
Dr. Hans Gummersbach / Münster /Germany
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