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2 Entries
Jeff Mather
March 19, 2023
Alvin was my advisor when I was a student at Hobart and William Smith Colleges in Geneva, New York. He was the head of the art department and encouraged me to get serious about sculpture. I was not an art major, though. At Hobart you could propose an independent major and I proposed a major in Proxemics, the field of anthropology that studies the cultural basis for the human use of space and how that accounts for cultural differences in spatial perception. The faculty committee in charge of approving independent majors was, intentionally, a conservative group. They struggled to understand my concept for my major. They'd say, "Please. Could you just do an art major??" The day they had to decide if they were going to approve my major Alvin came to the meeting. This really worked to my advantage because the committee members were intimidated by him. The art department was 1/2 mile from the rest of the campus and non-art department faculty didn't venture out there much. Not this group, anyway. Alvin could project a sort of glowering, someone-you-don't-want-to-mess-with, presence. Though those of us who knew him knew that he was a very kind and generous soul. He said to the committee, very quietly, levelly and coolly, "Just because you can't wrap your heads around Jeff's concept does not mean that it's not a valid concept." They were cowed. My major was approved.
Alvin left Hobart and William Smith to run a program in NYC that placed students from a consortium of midwestern schools in internships in the arts. The reputation of this program was so excellent that he could often get these students their first choice of a 'fantasy' internship in Manhattan. People loved how earnest and hard working and reliable these midwestern kids were and wanted to hire them. When I moved to the city after graduation, Alvin introduced me to the French duo, Ann and Patrick Poirier, [https://en.wikipedia.org/wiki/Anne_and_Patrick_Poirier], and they hired me as their assistant. I worked on several installations with Ann and Patrick, including at P.S. One, and at the Sonnebend Gallery in Soho, and at Harvard, before they had to return to Paris. It was a great gig for a young, just out of college, sculptor.
Alvin became my life long mentor, and when I started working in the art commodity system he continued to give me sage advice.
After I left New York City and lived in California for a couple of years, I moved to Georgia and started working with my friends, Tom and Gail in Atlanta. When Tom and Gail enticed me to move to Atlanta to work with them there as an art consultant, Alvin cautioned me to be aware that, as I was developing my professional eye as an art consultant for what was quality art, I not confuse this with MY eye. Man, did I learn that lesson when I moved to Atlanta.
Years later, Alvin was living on the Niantic River in Niantic, Connecticut. I would visit him there as often as I could. My father owned a nice sloop for many years and one time he and I sailed up the river from Long Island Sound and visited Alvin. I took my daughters to visit him in Niantic when they were teenagers.
I was always fascinated by Alvin's aesthetic, his interest in architectural forms and how they relate to the human hand and the body. I will always be grateful for the key role he played in my life. As a student and as an adult. -- Jeff Mather
Sue and Stuart Miller
October 23, 2022
To Pat, Sue and I are sorry for your loss. May Alvin's memory be for a blessing.
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