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Kevin Cloud Brechner
November 22, 2020
I met Bill Scaff and his wonderful wife Mary at the Hotel Carver in Pasadena, California in the late 1970s or eqrly 80s. He was friends with Carver resident composer Gary Marston. We shared an interest in film making, so Bill and I were instantly friends, a friendship that lasted 40 years. Pasadena in the 1970s and 80s was a Mecca for creative souls, and Bill was a big part of that scene. He made some films inside the Hotel Carver and did a wonderful series of films documenting Old Town Pasadena. One film I remember had him driving up iconic Colorado Boulevard shooting movies out of the side window of his car, capturing the old buildings, the upper floors of which were often the studios of artists like Richard Jackson, Norman Zammitt, Judy Chicago, Lloyd Hamrol, Don Sorenson, Jan Orbaum, James Mayer, Helga DeKansky, Film Forum, and the Bank Playhouse. Bill Scaff was also a great chef. My favorite memory was when he brought in a dessert tray filled with meringue treats that were photorealistic beige replicas of button mushrooms. You had to bite into the light crunchy sweets to prove they weren't real mushrooms. Bill was a trend setter, and always on the cutting edge of the arts. I would see him every year at the Baseball Reliquary's annual Shrine of the Eternals induction ceremony. which was as much about performance art as it was about baseball. Bill designed and built all the colorful plexiglas plaques awarded to the winners and displayed in the permanent collection of the Baseball Reliquary. Bill was thin, bordering on skinny, and often scruffy looking with a three-day old beard, long before that became a trademark of Millennial men. He often wore a skeptical half smile on his face as he told you about some obscure yet fascinating oddity that he had just learned. It is sad to see him go, but he made a lasting impression on a lot of people.
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