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DANIELL REVENAUGH Obituary

REVENAUGH--Daniell, born May 30, 1934 died peacefully on March 12, 2021. He was a resident of Tallahassee, Florida and Berkeley, California. Revenaugh was a concert pianist, conductor, entrepreneur, impresario, and inventor. He was born in Louisville, Kentucky to Vernon Revenaugh and Evelyn Pouch, a member of Diaghilev's legendary Ballets Russes. Showing musical promise at an early age he made his debut at the age of 14 playing Beethoven's Piano Concerto No. 1 with the Louisville Orchestra. In 1951, Revenaugh began over a decade of study with the legendary pianist Egon Petri, a pupil of the composer/pianist Ferruccio Busoni, continuing a pianistic line that can be traced back to Ludwig van Beethoven. Revenaugh recognized that Busoni was not only underappreciated but a truly transformative musical figure. By his early 30s he became the foremost promoter of Busoni's musical legacy founding The Busoni Society in 1965 with Busoni pupils Rudolph Ganz and Gunnar Johansen. On January 26, 1966 he produced and conducted a Busoni 100th Anniversary concert at Carnegie Hall featuring the New York premiere of the composer's epic 70-plus minute Piano Concerto No. 1 performed by Johansen, a seventy-member chorus and the American Symphony Orchestra. In June 1967 he oversaw and conducted the first commercial recording of the work with pianist John Ogdon, the Royal Philharmonic Orchestra and John Alldis Choir for EMI at Abbey Road Studios in London. The recording was internationally recognized by critics, won awards and was the seminal event in the Busoni renaissance spearheaded by Revenaugh. In essence, he became the leading Busoni authority and amassed the most significant Busoni archive of letters and other archival materials in private hands. Revenaugh served as music director of the Jacksonville Symphony from 1969-970 and ran the San Jose Symphony Orchestra during a period of transition for that institution. Revenaugh was a graduate of Florida State University where he studied with Ernst von Dohnanyi and Lewis Pankaskie. He also studied with the composer Darius Milhaud at Mills College in Oakland, California. Revenaugh was the founding general director of the Institute for Advanced Music Study in Crans-Montana, Switzerland where in 1973 he invited some of the greatest artists of that era to serve as faculty to students on full scholarship. They included violinist Zino Francescatti, cellist Gregor Piatigorsky, hornist Ib Lanzky-Otto and conductor Rudolf Kempe, who would become a mentor to Revenaugh. In the 1990s Revenaugh invented and patented the Lower Lid for the concert grand piano with the goal of capturing and redirecting sound lost under the piano into the concert hall. The invention sparked attention of the media along with that of many great pianists including Martha Argerich, Peter Serkin, Andre Watts, Radu Lupu and Alexander Toradze. They all performed with the Lower Lid in many of the world's leading concert halls. In 1997, Carnegie Hall would not allow the legendary pianist Martha Argerich to use the Lower Lid and the story made Page One of The New York Times. Revenaugh recorded several more albums for EMI including a world premiere Busoni two-piano program with his friend Lawrence Leighton Smith in 2006. His final recording project was the 2010 world premiere recording of Carlisle Floyd's Piano Sonata on DVD which also included a coaching session with the composer himself. In between all of this Revenaugh traveled widely as a pianist and conductor, created a first of its kind Electric Symphony Orchestra in the 1970s with amplified instruments garnering national attention; produced Classical Cabarets in the 1990s; performed the complete piano sonatas by Schubert in 1997 marking the bicentennial of the composer's birth; and was a one- man hibernator of ideas that perpetuated interest in classical music by the broadest possible audience. Revenaugh is survived by his three children Augustus, Anton and Paul, and three grandchildren. His daughter Danielle Marie predeceased him in 2017.

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Published by New York Times on Mar. 21, 2021.

Memories and Condolences
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6 Entries

Mark Gilbertson

September 27, 2025

I got to know Daniell when working at Tower Classics in Berkeley in the very late 1980s and very early 1990s. I was very saddened to read of his passing. I shall never forget his many concerned pieces of advice and guidances to me including his many admonitions to me to not eat sugar on an empty stomach, as I had a relentless sweet tooth at the time. I remember also sharing the table with him at the Buffalo Wings restaurant across the street, as well as being taken to his home by him with one or two other friends, very likely Niall Fordyce and his brother Alex, and fondly remember Daniell's very large Knabe grand piano once owned by Franz Liszt in Daniell's capacious and low-lit livingroom which was full of the wonderful fragrant aroma of the old antique wood that it was composed of, as well as Daniell's very large and beloved Swiss Bernese Mountain dog of which Daniell had very fondly given the name of Tobias Haslinger, after Beethoven's Austrian publisher. Rest In Peace, dearest Daniell!

Allison

March 15, 2024

I am forever grateful for all you taught me, Daniell. I still remember your wonderful home studio with the tree stump bench and your late night coaching. Miss you and Rest in Peace.

Allison Lovejoy

March 16, 2022

Every time I play or teach piano, I am thinking of you, Daniell. It has been over a year, and I'm still missing you, and thanking you for all the wisdom, wit and inspiration. Just this week was thinking of gathering your musical students and friends and producing a "Revenaugh style" performance in your honor.. Would anyone here care to join me in this project? Sending love to your soul, and to your family. Thank you for having been so encouraging- and challenging. We'll never forget you!

Allison Lovejoy

July 2, 2021

Dear friends and family of Daniell,
I send my deepest condolences for the passing of this great and wonderful musician, teacher and friend. Here I share some of my fondest memories with you.
Our community of musicians has had the great fortune of knowing Daniell. His great humor, musical wisdom, bitterly brilliant commentaries, and generosity will not be forgotten.
He has been my direct connection to the great lineage of pianists and composers of the past. Daniell was my piano coach and mentor for over 25 years, and also an encouraging force in my pursuit of composition.
He would call me with a plan for my programs and insist I come play for him in the evenings, which usually went well past midnight with conversation about his many projects and experiences. He introduced me to the music of Busoni and Carlisle Floyd. My only payment for the lessons was to sightread through piano duos of Busoni and other works that he was preparing to record.. and to show up with something new to play for him each time.
On our last visit a few years ago, I realized the legacy that he brought us: from his great pianist/teacher Egon Petri, the line goes back to Busoni, then Liszt, Czerny , and...Beethoven.
He imparted in me a sense of structure and care for rhythmic precision that came from his years as conductor. Many times he stopped and scolded me for "smushing the notes" as pianists often do.
His Berkeley home had the most beautiful antiques, stacks of music and books.. and at his Knabe piano we had a tree stump with a cushion for a bench!
When I searched for meaningful expression in enigmatic music, he offered this unforgettable quote:
"Treat every melody as if it were the best and most important one in the world..... even if it isn't. Then it will be."

He was critical and sometime gruff, but he was also incredibly kind and supportive. He felt I should focus on my cabaret music and determined that I would be the next Kurt Weill if I continued (and that I might have a greater financial reward). He sent me to work with the great pianist Gyorgy Sandor in NYC, introduced me to the Martha Argerich and conductor George Cleve. Most of all, he reminded me of the continued legacy we share: our deep love for music.

When he played the piano, when he spoke, and when he looked at you, it was always interesting and meaningful.
Let's strive for that, continuing Daniell's legacy.

Thank you for all you shared with us, even when experienced loss. Your wisdom and legacy continue with us.

With love and respect,

Allison Lovejoy


I leave you with this

Artis

April 15, 2021

The comment above of course, had not enough room to mention all the greats Revenaugh (He always seemed to call others by their family names), appreciated and worked with.
Another great musician Revenaugh worked with was Frank Zappa.
I met Danielle and family ini Berkeley in 1977. We rarely saw one another but remained friends all these years.
My condolences to Elsie and family and to those who will surely miss his occasional and unusual presence.

John H Abeles MD

March 21, 2021

Revenaugh - he called me by my surname too - became a close friend, having been introduced to me by my other good friend, Lawrence Perelman

He was an eccentrics’ eccentric - a Big Man in stature, corpulence, spirit and preeminent talent, erudition and wit

As a dinner companion he was a fount of anecdotes, a true raconteur and a teasing and jocular taquineur

He was an autodidact in many spheres, showering me with pearls of wisdom, and obscure gems of trivia and minutiae amidst barbs of kindly jousting

He loved my jokes which of course further endeared him to me

But above all there was the music; he knew that world, invented in it, performed in it, conducted in it, produced in it and reveled in it. I learnt much from him regarding how I should interpret my own piano repertoire; I feel sure he would have enjoyed time with my other friend and occasional mentor in pianism, the great Seymour Bernstein

He was a straightforward yet emotive and talented pianist in the classical style, venerating the great Ferrucio Busoni to whom he create a great shrine with a large collection of the pianist-composer’s memorabilia to which he added many other astounding keepsakes - a letter written by Beethoven and another ( gasp!) by Hitler, whom he of course reviled

A lover of good cigars and Bourbon which he reluctantly eschewed in his later years due his waning health, his house was a glorious cacophony of bric a brac which gave me endless delight in picking out pieces on which to have yet more reminiscent conversations

He was often impatient, gruff, upset at having come to a near hermetic existence in his later years of ill health - not unlike his beloved Beethoven - but always laughing, of generous spirit, contemptuous of the loss of cultural curiosity and memory in modern society and a guardian of the Bohemian imperative - which harkened back to his peripatetic and productive youth when, a very handsome man, he was the toast of many a classical music society group, especially female, in different cities around the world

I spoke with him just a few days before he died - he was lucid, exasperated and, yes exasperating as usual , desperate to get back out of bed and into his piano practice or to be closely listening to one of the greats on his record player ...

Daniell Revenaugh lived life well, but never climbed to a pinnacle he deserved because of his very wide interest in so many things , so to challenge his enormously fertile mind

He was my friend - I am bereft and will miss him sorely

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