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Anna Halprin (1920–2021), pioneering choreographer who used dance to heal

by Linnea Crowther

Anna Halprin was a choreographer known for her experimental postmodern dance style, as well as for using dance as a healing tool.

Experimental dance

Halprin based her work in California, where she founded the San Francisco Dancers’ Workshop in 1959. She broke boundaries there by bring dance out of the studio and concert hall, having dancers perform in parks, on rooftops, and in other non-traditional dance spaces. Her notable works included “Myth,” which invited audience participation, and “Parades and Changes,” in which the dancers stripped down entirely in a performance that shocked some 1965 audiences. While some reviewers were delighted by the daring work’s artistry, it was also banned and arrest warrants were issued for the performers.

Healing through dance

After Halprin was diagnosed with colorectal cancer in 1972, she began exploring dance as a tool that could be used in healing and recovery. She also sought to use dance as part of palliative care, comforting the dying through art. In 1978, Halprin co-founded the non-profit Tamalpa Institute, which “offers expressive arts training programs and workshops for healing, education, and social transformation.”

Halprin on “Parades and Changes”

“I was working with nudity, not from the point of view of, ‘Oh, this is shocking,’ but because I came from this more organic, art-related vantage point. I was shocked when we were arrested for nudity in New York in the Sixties. ‘Why are you arresting us? You see nudity in galleries all the time. Why are you arresting me? I’m not doing anything wrong.’” —from a 2012 interview for SFAQ

Tributes to Anna Halprin

Full obituary: The Washington Post

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